EXPLORE MORE
Denée Benton on centering Black women in HBO's 'The Gilded Age'
The actress seems to have a cosmic connection to the 1800s.
Listen to previous shows
-
July 17, 2024 - Vijay Iyer, Baseball: The Movie, and Zola Simone
The Grammy Award-winning Boston Modern Orchestra Project (BMOP) led by conductor Gil Rose releases Vijay Iyer: Trouble on its eponymous label. Marking his debut recording as an orchestral composer, he joins The Culture Show to talk about this work. In his new book, “Baseball: The Movie,” sportswriter and film critic Noah Gittell takes us through the history of the baseball movie, with a look at how those films have changed–from feel-good, to nostalgic, to cynical–are a reflection of how American values have changed. Finally Zola Simone, who will be performing at Cambridge Crossing Summer Nights Series’ free outdoor concert, joins The Culture Show for a preview. -
July 16, 2024 - The Million Year Picnic at 50, the Lowell Folk Festival, and Sea Monsters
The Million Year Picnic is the oldest comic book store in New England and since the 1970’s it’s been a fixture in Harvard Square. This summer it marks its 50th anniversary. Tony Davis, the owner, joins The Culture Show to talk about its legacy and how they are marking this moment.Then we’re off to Lowell by way of their annual folk festival, which features a mariachi band, parades, a yo-yo-world champion, Creole music, bluegrass, honky tonk and more. The director, Lee Viliesis, joins The Culture Show for a preview.Finally we plumb the depths of the human imagination by plunging into the depths of the ocean with a look at Sea monsters, the subject of a new exhibition at the Harvard Museum of Natural History. Peter Girguis, guest curator and Harvard professor of organic and evolutionary biology joins us to talk about it. -
July 15, 2024 - Kneecap, BosTix, and Jane Eaglen
Kneecap, a Belfast-based rap group known for their fiery social and political commentary is on the rise…with a new album and biopic starring Michael Fassbender, which has it’s nationwide release on August 2nd. They join us to talk about it all.From there it’s the return of BosTix, the discount theater ticket kiosk. Catherine Peterson, Executive Director of ArtsBoston joins The Culture Show to talk about what its return means for the arts and culture sector.Finally we enter the world of German composer Richard Wagner. Jane Eaglan, president of the Boston Wagner Society, joins The Culture Show to talk about their forthcoming Boston Wagner Institute program, which includes masterclasses, performances and some taproom tippling. -
July 12, 2024 - Week in Review: Orchestral report cards, Shelley Duvall, and songs of the summer
Today on The Culture Show, co-hosts Edgar B. Herwick III, Callie Crossley and James Bennett II go over the latest headlines on our arts and culture week-in-review.First up: D is for dismal. The report card is in for the world’s orchestras and they get a capital D on diversity. Then it’s a capital F for flop. Kevin Costner’s “Horizon: An American Saga,” bombs at the box office. Plus we remember actress Shelley Duvall and her subversive screen presence, from “Nashville,” to “Annie Hall” to “The Shining.”From there it’s follow up-Friday where we catch up on the stories we’ve been tracking, among them, the Beyonce bounce. Did her Texas two step into country music pave the way for Shaboozey’s chart topping hit? Finally, it’s not a summer cookout without–what Callie Crossley calls– the surefire song of joy: “Before I let go” by Frankie Beverly and Maze. -
July 11, 2024 - Muppets in Moscow and Jeremy Eichler
In her book, Muppets in Moscow, Natasha Lance Rogoff pulls back the iron curtain on what it was like to work in Russia as a TV producer in the 1990’s. There were absolute triumphs of Big Bird diplomacy, moments when capitalism collided with the legacy of communism, and a deep realization that a country undergoing radical change, can only change so much . Then it’s a conversation about music as memory.Jeremy Eichler joins us to talk about his new book, “Time’s Echo,” which looks at how Shostakovich and other composers used classical music to not only articulate the unspeakable horrors of WWII but to also memorialize the victims of the Holocaust.